Preliminary Review: Minox 35 GL

As I have confessed in the past, one reason I love film photography is the gear. I love spending hours on deep dive explorations of film related gear whether that’s antique large format lenses, discontinued expired film, cheap plastic point and shoots your grandma probably owned, or just dreaming about that Contax G1 or Leica… well anything. And after the million or so hours I’ve spent doing this I like to think I’ve seen it all. But, just as you think that your friends goes, “Hey look at my new film camera.” *points at little black box in the cup holder that looks more like lame toy then anything else* And after 15 minutes of discussion I learned that I would eventually, definitely add this small toy like camera to my collection, the Minox 35 GL. (Thanks Tyler Truksa)

The Minox 35 GL was introduced in the 1976 shorty after the first iteration of 35mm film cameras from Minox. The German camera manufacturer was known for its small 110 “spy cameras” and the Minox 35 GL definitely fits pretty well into this category. Interestingly enough between 1974 and 2003 there were 30 different iterations of this camera sold and all have just slightly different options and colors. Being that it was an automatic camera (aperture priority) and small it became a very popular consumer camera; even won the hearts of famous artists like Andy Warhol and Jackson Pollock.

An add for the camera from the 1970s.

An add for the camera from the 1970s.

So why did I cave and buy this weird plastic camera that makes you guess focus (more on that later)? Well, for me it ticks every mark I have for an everyday walk around film camera. It’s small, light, easy to carry, shoots 35mm, comes with a flash (at least mine did), and has a great lens. On top of that, it looks cool and if I keep it closed no one would have a clue that I’m even carrying a camera. I also really like that it’s aperture priority and therefore easy to just point, check your shutter speed and shoot!

The Minox 35 GL open with the leather Minox cover which let you add a camera strap. The strap is an old climbing sling I picked up used.

The Minox 35 GL open with the leather Minox cover which let you add a camera strap. The strap is an old climbing sling I picked up used.

With all of this awesome potential there must be some downsides and there definitely are some, especially if you’re just getting into film this camera could cause some extra anxiety. First, the battery in the later models isn’t made anymore and the most readily available batteries (for mine 4 357s silver oxide coin batteries) are slightly higher voltage causing the meter to be off. For my GL the meter is off by at least 2 stops which is a lot considering it under exposes the film by that much (though you can just set the ISO dial to compensate which is no big deal). Second I’ve read the magnetic shutters can be unreliable, though Minox does say that all of their products, even discontinued ones, can be repaired.

One of the biggest reasons for buying this camera is the lens. According to the internet it is one of the best point and shoot lenses out there beating the Olympus X models and even rivaling Contax glass. Being that I scan on a Epson V550 I’m not sure I will be able to see that sharpness, but when I get back to WUSTL I will definitely put a frame or two into the Hasselblad X1 to see how it compares to the Nikon 50mm F1.8 ais which is my other 35mm lens. But, from what I can see it a pretty good performer given the sized and design.

Jump Creek ID 2021. Minox GL, Fujifilm C200 shot at box speed, V550 scan using negative lab pro.

Jump Creek ID 2019. Minox GL, Fujifilm C200 shot at box speed, V550 scan using negative lab pro.

The test rolling I’m sharing are from a trip up to Stanley and Jump Creek with a great new friend. I never really need an excuse to go out and explore, but a new camera and a curious mind to coexist with sure makes it easy to escape for awhile. As I tend to do when I meet people like Eleysa is I get lost in conversation, focused on them and me in that moment. Usually this means I hike 20 pounds of gear which I never use and I get distracted from being present everytime I reach into my camera bag. But, I found the Minox allowed me to be fully aware of the possible images around me and allowed me to enjoy my time to a fuller degree then I usually would. In fact this was the only camera I took when I went to Pine Flats Hot Spring and I think it was a good choice.

Stanley Lake ID, 2021. Minox GL, Fujifilm C200 shot at box speed, V550 scan using negative lab pro.

Minox GL, Fujifilm C200 shot at box speed, V550 scan using negative lab pro.

Galena Summit just outside Sun Valley ID, 2021. Minox GL, Fujifilm C200 shot at box speed, V550 scan using negative lab pro.

Minox GL, Fujifilm C200 shot at box speed, V550 scan using negative lab pro.

Lunch and map sesh on Galena Summit just outside Sun Valley ID, 2021. Minox GL, Fujifilm C200 shot at box speed, V550 scan using negative lab pro.

Minox GL, Fujifilm C200 shot at box speed, V550 scan using negative lab pro.

Camp on Nip n’ Tuck road looking at the Sawtooth Range ID, 2021. Minox GL and FC 35 Flash, Fujifilm C200 shot at box speed, V550 scan using negative lab pro.

Minox GL and FC 35 Flash, Fujifilm C200 shot at box speed, V550 scan using negative lab pro.

Mt. Hayburn and the first Bench Lake ID, 2021. Minox GL, Fujifilm C200 shot at box speed, V550 scan using negative lab pro.

Minox GL, Fujifilm C200 shot at box speed, V550 scan using negative lab pro.

On another note, I think these images are my favorite from this summer. Not only was it a new shooting experience with a great new camera, but I realized that what makes images good in my book is more than color, sharpness, and composition. It’s the ability to share life with others, to be an observer and recorder of time passing and the relationships, friends, and places that build context for living. Recently this is what has been missing from my work, people to share it with. If you ever read this thank you so much Eleysa for sharing time with me and letting me fall in love with making images again! I think I’ve thought about this trip and our time together more than just about anything this summer.

Hot Springs ID, 2021. Minox GL, Fujifilm C200 shot at box speed, V550 scan using negative lab pro.

Minox GL, Fujifilm C200 shot at box speed, V550 scan using negative lab pro.

Hot Springs ID, 2021. Minox GL, Fujifilm C200 shot at box speed, V550 scan using negative lab pro.

Minox GL, Fujifilm C200 shot at box speed, V550 scan using negative lab pro.

Hot Springs ID, 2021. Minox GL, Fujifilm C200 shot at box speed, V550 scan using negative lab pro.

Minox GL, Fujifilm C200 shot at box speed, V550 scan using negative lab pro.

First impressions, I can’t get enough of this camera! It’s easy and honestly fun to frame through the little plastic finder and press the button. I find that I don’t mind guessing distance because I really do shoot further than 20 ft away often and I find that I can stick to a smaller aperture to maximize depth of field when not 20 feet away. I also find that it helps me slow down, giving me that slow process and intention I love film for. The other thing I like is that it is really not so intimidating to hand to a friend, I know the camera will do the hard work and being so small people don’t shy away from it like they do with the Pentax or other cameras I own. Finally, I just love that it is smaller than the size of my hand, literally. As I’ve mentioned before I love the form factor of the Fuji X100s and that is really why I still own and love that camera, but the Minox 35 GL is even smaller! All in all it will be great fun to have this camera around, can’t wait to keep playing outside and elsewhere with this in my pocket.


Technical side note:

The weird flair that sometimes happens when shooting toward the sun. Minox GL, Fujifilm C200 shot at box speed, V550 scan using negative lab pro.

Minox GL, Fujifilm C200 shot at box speed, V550 scan using negative lab pro.

This was my first test roll and I just want to share what I learned and what I’ll change going forward. First things first, the lens does seem to be sharp but you do need to hit the right distance to see it! What I mean is that the hyperfocal distance scale on the lens will give you an “acceptable sharpness” not tack sharp so going forward I will make sure to guess the distance not just put infinity at the hyperfocus line on the lense. I’ll also make sure to put the film through the Hasselblad X1 to really determine the sharpness. In short, not sure my copy can rival Contax glass but it is perfectly fine for what I use this camera for.

The second thing I noticed is some unflattering flaring from the lens. Being a Canon shooter I love my sun stars that you see when shooting stopped down. Sadly there are no sun stars with this lens and I even found that the lense produces some colorful patterned flair that can really reck and image like this image in the forest. It’s not the end of the world but not ideal for sure.

Finally, the exposure seems to be really quite good! Way better than most aperture priority cameras I’ve used especially other point and shoots. I also love the x2 exposure switch, I believe I used that on the hammock shot and it really made a big difference. To really put it to a test I think the next roll I put in will be a roll of Provia 100f slide film, this will allow me to really test the sharpness and the ability of the meter!


Bouldering Idaho Basalt and Being Back

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Being back in Idaho has had some real ups and downs. I love being in this part of the United States where I can climb, bike, hike, and see family. But what I didn’t count on was the rush of memories from last summer. My experiences and memories are heavily based on place, where I was and where I am. Being back in Idaho has brought back these complex feelings, memories, and connections which feel lost in time. Last summer in many ways felt like the best of dreams and being back now in the context of COVID, looming school, and anxieties manifested from what was; I’m having a hard time settling in the way I usually do.

There’s not much I can do about these feelings and I know like all things there is an ephemeral cycle. Last summer was a peak and I’m glad and fortunate to have had amazing people and relationships around me to help me get there. Now is different and that is ok, I still have great people around me and I’ve reconnected with many of those I didn’t see last summer. While I’m not at the peak of my cycle I’m trying my hardest to take advantage of the time here and now.

Nature has always been a release for me, a privilege that I want to share with as many people as I can. Yesterday I decided to go

and boulder with a good friend from school. We went out to a new place for me called Swan Falls just outside of Kuna, ID. The basalt boulders sprinkling the landscape here came from the high walls carved out by the river below. It was an uncharacteristically cool day for June in the Idaho desert creating an inviting environment to scramble the deep dark rock boulders and meet some new climbers. After cutting our hands on the sharp volcanic rocks and feeling the heat from the sun, the weather rolled in. It was a pretty amazing site to see the dark ominous clouds roll over the cliff edge, to feel the wind build up into tiny droplets, and to escape to our cars just as the rain got strong. Overall a great day.

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Review on Saal Digital Professional Photo Book line

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Last month was really busy with tests and school. As usual I was finding ways to use the creative side of my brain and as luck would have it I got an opportunity to make a book from a german company, Saal Digital! I have been working on a book depicting the time I spent in the Sawtooths last January for sometime and it finally got done.

This is my first photo book that I’ve made and I definitely learned a lot in the process. Being that I only had a month I am honestly impressed with what I made. But, there’s definitely plenty that I would change the next time around. All I can say is that I appreciate all the help from Saal Digital.

First and foremost this book looks absolutely beautiful and very profesional! This specific book is the 8 x 8 inch professional line photo book with matte photo paper option and the white linen wrap cover. I love the look and feel of this book and the layflat pages are quite nice. There is definitely no complaints on the look and craftsmanship of this book! I like the almost waxy feel of the canvas which makes me believe it might be gently cleaned if needed. Also, the paper is impressively heavey to the touch as well as resists fingerprints pretty well.

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There are two things that I noticed however, and I’m not sure if it was my fault or that of the company. The first of which is in the darker areas of the two page spreads there is a slight blue line on the fold of the pages. Now it is very faint but I would say that it is noticeable in the right light. So I would try and make the fold areas on those spreads lighter if possible. The second, is with the rendering of stars in the images. In print there is very little to no definition of the stars which is frustrating when compared to the images on screen. This could totally be from the definition of the printer and possibly from the smaller size of the image, but I still feel like it should have done a better job.

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I really loved working on this book and writing the excerpts that are all throughout. One of the things that I would change in the a future copy is using smaller sized font. For the most part it looks fine however I think it looks a bit corny with how large it is and with the paper’s matte finish. Finally, I definitely need to work on soft proofing and better understanding how to get the images printed to look the way they do on my screen. Soft proofing is a technique that involves color profiles and link/paper simulation in the attempt to make your pictures look better in print. I decided that the next time I make a book I am definitely going to get a proof made so that I can catch some of these issues before I get the final copy.

All in all I am very happy with the results and the help from Saal Digital to make it possible. I’ve also gotten some requests for a book and since this one set me back a pretty penny I’m going to start designing a soft cover version that will hopefully be more affordable.

Powder Skiing Continued

I was thinking about skiing the other day and all I could think about was getting those fresh turns in Stanley this past January. It’s so very hard to find any feeling quite like it and all I want is to do is get back to this place and make some fresh turns.

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The crackle of white dendrites hitting your hard-shelled jacket and the cold penetrating your core means the snow is falling and you’ve been blessed with another extraordinary powder day. As you skin up the mountain through the Douglas Fir and Lodgepole Pine being buried in crystals, your inner child oozes through the oppressive goo of the realities of life. Worrying about grad school, homework, relationships, or even the day to day noise created by living dissipates as your lungs start burning, climbing, climbing up through the mountain air and into the blank monochrome forest. It’s only there where you can be so precisely played by gravity and snow. It’s only there one can truly understand the addiction to winter.

Being in the moment amongst the storm in the wildness of winter is more than challenging the innate human instinct to reject logic. It’s even more than being able to ski fast through the trees and thick banks of snow or being blinded by the pulsing waves of white as you turn. It is all of these things, but skiing powder is so much more because it is one of those times where one can focus so precisely that everything makes sense. A beautiful paradox of nothing that’s something, an out of body experience that can only be recreated in similar conditions. Deep light snow is not only rear but exceedingly fleeting a brilliant diamond that melts away almost as soon as one can start to appreciate it.

People run their lives around this stuff. Living in the back of cars, eating only noodle cups cased in Styrofoam and plastic it’s a dream for some and unbelievably stupid to others. The closest feeling of flight while still grounded to earth is worth uprooting your life. Dodging reality for just moments in the deep powder snow can turn the smartest of people crazy trying to fuel this endless addiction. Being in the backcountry being a slave to the element’s, crazy starts to make sense a virus just waiting to infect the next person on skis ready to climb 2000 feet vertical for just minutes of downhill freedom.

The crowded mass of people waiting to catch the cable line to the top of a manufactured mountain serves no purpose more than a guilty convince. Merely a pitiful pleasure grounded on a foundation of consumerism, perpetuated by the shameful ease at which powder snow can be skied. This is what the winter wilderness has done to me. It has opened my eyes to another experience that I did not see before, out of focus till I tipped my skies down a hill that I hiked up.

I was raised skiing in bounds dropping more vertical than anyone could hike in a day, but now when I sit in a chair in the mountain air, I feel something missing. Maybe it’s the risk that comes with the wildness of winter, a shared bond between friends catalyzed by tele turns, or even a longing to push yourself to a physical and metal limit. I will be forever changed by the winter wilderness and long for its claws to drag me in again.

Powder Skiing

As most people how are close to me know I am not the biggest fan of writing creatively on my own. Words for me have always be harder to create then an image, but after the winter wilderness course I saw the importance of this skill. Sometimes words can achieve higher levels of thought then even a perfectly composed images. So here’s my go at explaining skiing in powder accompanied by a picture of my good friend Beth Mixon getting pitted on a 24in bluebird powder day at the Glades near Stanley ID.

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The crackle of white dendrites hitting your hard-shelled jacket and the cold penetrating your core means the snow is falling and you’ve been blessed with another extraordinary powder day. As you skin up the mountain through the Douglas Fir and Lodgepole Pine being buried in crystals, your inner child oozes through the oppressive goo of the realities of life. Worrying about grad school, homework, relationships, or even the day to day noise created by living dissipates as your lungs start burning, climbing, climbing up through the mountain air and into the blank monochrome forest. It’s only there where you can be so preciously played by gravity and snow. It’s only there one can truly understand the addiction to winter.

Being in the moment amongst the storm in the wildness of winter is more than challenging the innate human instinct to reject logic. It’s even more than being able to ski fast through the trees and thick banks of snow or being blinded by the pulsing waves of white as you turn. It is all of these things, but skiing powder is so much more because it is one of those times where one can focus so precisely that everything makes sense. A beautiful paradox of nothing that’s something, an out of body experience that can only be recreated in similar conditions. Deep light snow is not only rear but exceedingly fleeting a brilliant diamond that melts away almost as soon as one can start to appreciate it.